By Brianna Bianco
F. Scott Fitzgerald’s 1925 novel “The Great Gatsby” is a timeless classic, read by highschoolers and adored by generations. Though soon to be a century old, the story does a masterful job of portraying still relevant topics, such as the blurred lines between individuals and ideas. The extravagant, glamorous and unrequited love of Gatsby’s universe has influenced producers to take this story to the next level—a Broadway show.
This story follows a young Nick Carraway (Noah J. Ricketts), a bondsman who moves to West Egg, and is set during the summer of 1922. His modest cottage is located next to the extravagant mansion of Jay Gatsby (Jeremy Jordan), whose wild, over-the-top parties are famous across Long Island. When Nick finds himself in attendance at one of these parties, it is revealed that his meeting Gatsby was not a coincidence, but actually a carefully plotted plan to reunite Gatsby with his old love—and Nick’s cousin—Daisy Buchanan (Eva Noblezada).
While the story is there, if you’re not previously familiar with it, you might find yourself struggling to fully follow along with the plot of the play since scenes leaped around. If you are someone who adores the novel, you may be dissatisfied with the altering of several minor, yet impactful details. Gatsby’s iconic line about not seeing Daisy for “five years next November” is inexplicably changed to “five years next October.” In addition, Nick initially meets Gatsby in Gatsby’s office in the musical, as opposed to in the gardens described in the book. Myrtle Wilson’s (Chilina Kennedy) character becomes pregnant—another plot line that differs from the story’s original narrative.
One of the most notable updates in this production is its modernization, primarily through the portrayal of Jordan Baker (Samantha Pauly). Her character is reimagined as a self-made, independent woman, who doesn’t conform to the typical style that the rest of the women during this time do. This choice makes Jordan stand out more as a character, adding an interesting take and aligning her with more contemporary values, without necessarily altering the storyline.
Myrtle Wilson also got a chance to shine, predominantly through her solo number, “One Way Road,” a powerful performance, highlighting the limitations and struggle often faced by women seeking security through marriage. This is a significant moment in the musical, especially due to its profound nature, as the deeper meaning of this story was often lost.
Nick, with his familiar outsider’s perspective, leads us through a world filled with breathtaking costumes, backdrops and scenery, capturing the true beauty of inevitable disillusionment. The lavish parties at Gatsby’s mansion and the green light across the bay were fantastically portrayed. Those attending “The Great Gatsby” who are going more so for the experience, will surely enjoy this glitzy, glamorous and highly entertaining show.
While the story might be overshadowed by dazzling displays and grand showmanship, it’s still worth a trip to the Broadway Theatre to experience this timeless classic in a fresh light. Directed by Marc Bruni, with a fantastic musical score by Jason Howland and Nathan Tysen, this play runs through September 2025.
It is truly incredible how Fitzgerald’s novel is still relevant and enjoyed by millions today. The memory of “The Great Gatsby” lives on timelessly—in the movies, in this Broadway show, and in the radiant smiles of eternal reassurance from those who still believe in the possibility of true love.